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GU Journalen 5-2020 by University of Gothenburg - issuu

302-315 Article in journal (Refereed) Published Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the in Andrei Tarkovsky’s Stalker TOBIAS PONTARA The standard complaint that ﬁlm music is an understudied phenomenon can hardly be de-fended any more. At least since Claudia Gorbman’s groundbreaking Unheard Melodies and increasingly during the last decade, the ways music works and functions in ﬁlm have been subjected to ever more intensive 2021-2-15 · Pontara, in his absorbing study of Tarkovsky’s use of music and sound, shows how much of the spell of “Stalker” depends on its extraordinary audio track. Artemyev, who specialized in electronic composition before collaborating with Tarkovsky… Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films. The first comprehensive study in English concentrating on the soundtrack in Tarkovsky's cinema, this book reveals how Tarkovsky's use of electronic music, electronically 2021-4-7 · Please use your academic login to access external scholarly sources. Stalkeris a 1979 filmbyAndrei Tarkovsky.

Pontara tarkovsky

$124 Among directors, Tarkovsky has become a godlike figure, his signature motifs imitated to the point of becoming clichés. He is the chief exemplar of what is sometimes called slow cinema, in which Tobias Pontara is Professor in Musicology at the University of Gothenburg, Sweden. Pontara’s research lies at the intersection between cultural studies, philosophical aesthetics, and film music studies. Tobias Pontara University of Gothenburg Education PhD in Musicology, Stockholm University (2007) Current employment Professor in musicology, Department of Cultural Sciences, University of Gothenburg (since November 2019) Publication list Monographs Pontara, Tobias (2020) Andrei Tarkovsky’s Sounding Cinema: Music and Meaning from Solaris to Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. He is currently working on a monograph examining the role and significance of music and sound in the Russian director Andrei Tarkovsky’s films. Pontara is also project leader for the research project Classical music for a mediatized world: Visual and audio-visual representations of Western art music in contemporary media and society (funded by the Swedish Research Council 2018-2022). Tobias Pontara Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of Tobias Pontara, Ulrik Volgsten Mirac 2017 (Music Focused Interdisciplinary Research & Analysis Center), Stockholm, Sweden, November 22-23, 2017 - 2017-01-01 Domestic space, music technology and the emergence of solitary listening: Tracing the roots of solipsistic sound culture in the digital Tobias Pontara University of Gothenburg Education PhD in Musicology, Stockholm University (2007) Current employment Professor in musicology, Department of Cultural Sciences, University of Gothenburg (since November 2019) Publication list Monographs Pontara, Tobias (2020) Andrei Tarkovsky’s Sounding Cinema: Music and Meaning from Solaris to Tarkovsky returned with the idea of becoming a filmmaker, and, in 1954, a year after Stalin’s death, he enrolled at the All-Union State Institute of Cinematography, now known as the Gerasimov Institute of Cinematography (V.G.I.K.).

Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the Andrei Tarkovsky's Musical Offering: The Law of Quotation By Julia Shpinitskaya Solaris by A.Tarkovsky: Music-Visual Troping, Paradigmatism, Cognitive Stereoscopy With luscious film stills and superb essays by the director and his admirers, this is the essential Tarkovsky compendium.

Tobias Pontara - sv.LinkFang.org

Although the travellers return 2021-2-15 · Pontara points out the ideological problem underlying this concluding wonder: in place of failed Romantic aesthetics, Tarkovsky substitutes his own heroic gesture of transcendence. “Stalker” ends up reaffirming, in Pontara’s words, “the false promise that we can escape from and step outside of history and civilization.” Summary : "Tarkovsky for me is the greatest," wrote Ingmar Bergman. Andrey Tarkovsky only made seven films, but all are celebrated for its striking visual images, quietly patient dramatic structures, and visionary symbolism. Time within Time is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death.

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PORSCHEN , PEGGY (5). PORTELLA , MIRNA BRA (5). Pris: 1492 kr. inbunden, 2019. Tillfälligt slut. Köp boken Andrei Tarkovsky's Sounding Cinema av Tobias Pontara (ISBN 9780367277291) hos Adlibris.

A frequently recurring theme in these discussions has been Robin Stilwell’s notion of ‘the fantastical gap’, that Tobias Pontara. University of Gothenburg, Department of Cultural Sciences, Faculty Member.
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historiskt informerade framföranden har sedan Pontara, Tobias (2019).

I varsin text närmar sig Catharina Thörn och Tobias Pontara Arthur Han har nyligen givit ut boken Andrei Tarkovsky's Sounding Cinema: Tobias Pontara: Scoring the incomprehensible: The role and significance of electronic music in Andrei Tarkovsky's Mirror (1975). Fredrika TOBIAS PONTARA. Scoring the incomprehensible: The role and significance of electronic music in Andrei. Tarkovsky's Mirror (1975).
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Tarkovskijs ljudspår: Musikens - Riksbankens Jubileumsfond

Artemyev, who specialized in electronic composition before collaborating with Tarkovsky… Andrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932-1986) through an exploration of the presence of music and sound in his films.